Rosa Quintana Lillo
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The Carbon Sink Art Project Phase 2 : continuation of work started in Phase 1, direct line of exploration from making inks, paints and casting materials, made from home made biochar and eggshell pigment to rethinking my mark making surfaces and making my own paper from the discards of every day life, be it from domesticity, agricultural or industrial processes.
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 Individual Arts Grants: Visual Arts - February 1 to June 1, 2026 : Completed

Beach work: May 2026

21/5/2026

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Observations: Mark making by others, worms, fleas, wind, birds, out of necessity, chance or wonder. Wonder why I have to do it? 
"Creative material engagement, or creative thinging designates the peculiar disposi-
tion of the human body to create, to explore and to discover affordances (in the
Gibsonian ecological sense of interactive possibilities) through the attentive engage-
ment with things, form-generating materials, or selected aspects of the relevant material
environment. Mark making is the skill that allow these
two processes (material enactive signification and creative thinging) to mingle together."            https://www.researchgate.net/publication/348898660_Mark_Making_and_Human_Becoming 
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    Rosa Quintana Lillo,   living and working on         Sto:lo Territory,                 Agassiz, BC, Canada

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  • Home
  • CARBON SINK ART PROJECT
    • Phase 1
    • Phase 2
    • Phase 3
  • Installation
  • Residencies
  • Painting
    • Cardboard Series
    • Landscape
    • Islands
    • Birds and Angels
    • Sketchbook
    • Collaborations
  • Exhibitions
  • DIY
  • Work
  • Contact Info